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Artwork of Harry McDaniel You will find a diverse range of artwork here; from abstract, decorative sculptures and mobiles to symbolic pieces dealing with psychological and anthropological themes. In recent years, my primary focus has been public art.  If this is your first visit, start with the Artwork page. It will give you a quick visual overview of my work. From there, you can proceed to the type of work that interests you most. There are over 100 pages of individual works. If you would like a more conceptual overview, read my Artist's Statement below. Have fun exploring! If you see something that thrills you, please read about a one-third contribution to the non-profit of your choice.  I can accept Visa or MasterCard payments through PayPal. See my Sales Information page for details.   Please bookmark this page and check back to see my latest work. If you would like to receive e-mails informing you of updates a few times per year, just send an e-mail to me saying "send updates".

Recent Work--To see the full range of my work, go to Artwork.

7/22/08 Update:		Anhinga 7' tall brushed aluminum sculpture
3/6/08 Update:		Deco Gecko  New brushed aluminum sculpture installed 3/5/08 in Pritchard Park--Asheville, NC
7/6/07 Update:		Redbird 15' tall steel and aluminum sculpture installed in Fred Fletcher Park in Raleigh, NC.
2/10/07 Update:		Work in Progress Powder-coated steel outdoor sculpture
2/9/07 Update:		Aleph Welded and painted steel sculpture based on the Semite letter "aleph"
		Passage My first effort in cast iron
		Locust Lemonade B1 The beginnings of a series of sculptures made from a Black Locust tree that fell in my yard (When life gives you lemons . . . .)

Auction Alert:

I regularly list one or two sculptures or mobiles on eBay. If you would like a chance for a good deal on a mobile, wall piece, or perhaps a 7' tall Martian, check out my Auction List.

Artist's Statement

My artwork is diverse in materials, style, technique, and content. It is difficult to explain the diversity, except to say that I love to experiment and I am drawn to new challenges. I work with wood, metals, cement, plastics, and found objects. Some of the threads that tie my work together are humor, a fascination with curves, motion (or implied motion), and an interest in the human condition. My sculptures can roughly be divided into two parts--decorative works and social commentary.

My decorative works include freestanding sculptures (indoor and outdoor), wall pieces, and mobiles. They range in size from tabletop pieces to a 55' long mobile (Eclipse). These works tend to be curvy, abstract, distorted geometric forms. Most embody a strong sense of motion. I am intrigued by motion or, more accurately, the paths taken by objects in motion. I love to let my eyes trace the path of a bird swooping through the air or a fish gliding through water. Many of my sculptures are like 3-D snapshots of such motions.

While most of my decorative pieces contain aspects of implied motion, the mobiles are literally in motion. The delicate balance and subtle, graceful, gliding motions of mobiles have intrigued me since I was a child. As a sculptor I appreciate the ever-changing shapes and intersections of lines.

My works of social commentary include the American Artifacts series, figurative pieces, and other works. These pieces often include an element of humor. The materials are often related to the meaning of the pieces. Some pieces are based in my personal experiences and struggles; others are derived from my observations and understandings of the world around me.

The series American Artifacts is a group of mixed-media sculptures accompanied by text. The work is created and presented in a form that simulates an exhibit in a natural history museum. At first glance, the sculptures appear to be artifacts from some foreign or primitive culture, but on closer inspection one finds that the "artifacts" are derived from objects common to modern life in the United States. The accompanying text describes the objects in a style reminiscent of the descriptions one might find in a natural history museum beside stone axes and broken ceramic figurines, yet it refers to our own culture.

A significant amount of my artwork has included the human figure in one form or another. My work has included life-size figures, portions of figures, and installations using mannequins. I find something particularly compelling in life-size human figures. They tend to create a strong presence in a room regardless of the style or material. We are "programmed" (psychologically if not biologically) to relate to the human form in certain ways. When a viewer encounters a figurative sculpture he brings a certain familiarity which at least for a moment, allows him to feel a likeness to the sculpture. The viewer also feels his difference of course, and from this contradiction he must draw some meaning.

In all of my work, whether decorative or provocative, I aim to offer viewers a new perspective.

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Are you uneasy about the direction the United States has taken in recent years in its relations with the rest of the world?  I am.  I think that arrogant foreign policy builds resentment-not security, so I had some stickers made.  Want one?

While on the subject of politics, I encourage you to check out the website FactCheck.org.  It is a non-partisan organization that checks political ads, speeches, etc. (on all sides) for truthfulness.  It is a calm, reasonable voice in the midst of the torrent of political hype and distortion.

visits since 7/8/98.

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